Dual-Pixel AF now with Eye Detect Autofocus The ergonomics of the Canon EOS C500 Mark II also impressed Roberto, which he says makes the camera ideal for his field of action and wildlife documentaries. … Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. In CAMERA mode, the camera offers the following ways to focus, depending on the lens used. In CAMERA mode, the camera offers the following ways to focus, depending on the lens used. Canon C500 Mark II with EU-V2 extension Unit Whilst the FX9 is essentially a full frame version of the FS7 (with other improvements and additions of course), the C500 Mark II is a completely different beast to the C500 Mark I and perhaps should have been named something completely new to set itself apart from the original that was a bit of a commercial flop. Apart from the features that already made the C500 Mark II an interesting proposition – internal Cinema RAW Light recording, Dual Pixel Autofocus – in my opinion, there are two new features of the C300 Mark III which are most interesting about this camera: The newly introduced Dual Gain Output (DGO), which essentially combines two amplifications of a moving image into one, achieving a dynamic range … It can be stripped down to use on a gimbal, or rigged up to shoot movies good enough for Hollywood. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. MELVILLE, N.Y., October 24, 2019 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc. is developing the highly anticipated Canon EOS-1D X Mark III Camera – the successor to the world-renowned and award-winning EOS-1D X Mark II. When the aperture value used is F13 or larger. I was surprised it didn’t cover 5K FF on the FX9 but I … When used with the LCD Monitor LM-V2 with touch panel support, the Dual Pixel CMOS AF provides sophisticated focusing with a … This possible slight shift in focus is a result of the internal temperature rising in the camera and lens. Check the focus before resuming shooting. Camera Body EOS C500 Mark II 2. I would rarely use the 6K at 2.1 MBps, cause it takes the 512GB card in 31 minutes, but surely there are people, who wouldn’t have problems with that, cause they have different needs. At the heart of the EOS C500 Mark II is the same sensor found inside Canon’s EOS C700 camera, a5.9K full-frame 17:9 sensor, which Canon says offers more than 15 stops of dynamic range. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. EOS C500 Mark II 5.9K Full Frame sensor; 4K at 50p/60p with 4:2:2 sampling; Cinema RAW Light and XF-AVC Intra Frame records to CFExpress Type B Cards Specifications & Features - Canon EOS C500 Mark II. We heard from one director of photography who thinks that the Canon C500 Mark II fits the bill perfectly. Canon EOS C500 Mark II. On an EF lens, you can set the lens's focus mode switch to MF. A fully charged battery pack for the camera 6. The Cinema EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. ARTICLE How Canon's intelligent autofocus works. Instructions for using face detection on the EOS C500 Mark II are included below. Face Detection When there are a number of people in the picture, one person will be determined to be the main subject but you have the option to select a different person as the main subject. EOS C500 Mark II Home Articles Products Articles Detail. Canon has been on a kick lately releasing new cinema cameras. Canon C500 Mark II can record up to 60 frames per second in Canon's Cinema Raw Light files, giving you the raw file flexibility in a smaller package. You can use face detection with one of the autofocus … DAF can survey the scene and recognizes not only whether the subject is in focus … The Canon EOS C500 Mark II uses the latest technology from the EOS R-series of Canon mirrorless cameras and puts it into a professional cinema camera that has a modular style to suit lots of different uses. The C500 Mark II is definitely a cinema camera. Canon Color & Autofocus. Possibly the most versatile full frame camera on the market, the Canon C500 Mark II is the ideal broadcast, documentary and cinema camera, all in one. Canon EOS C500 Mark II ... Auto Focus Modes (EF Mount) One-Shot AF, Continuous AF and AF-Boosted MF. The Canon EOS C300 Mark III is an update to the Canon C300 Mark II in name only. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. The high … Being able to use autofocus when … If you are not using the camera grip, you can set an assignable button to [Focus Guide]. Tracking Arctic cod from sea to plate with the Canon EOS C500 Mark II When the coronavirus pandemic forced him to delay his plans to shoot in Antarctica, Italian documentary filmmaker Roberto Palozzi travelled to northern Norway instead – in freezing February conditions – to track the journey of one of Italy's favourite foods: dried cod. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in … 17 November 2020. Explore our review below. The Sony FX9 and Canon C500 Mark II full frame cinema cameras. Solution. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. By unscrewing four hex screws located on the outside of the lens mount, it’s now possible to (comparatively quickly) switch from one mount to another without the need … Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. "The Cinema EOS Series has a modularity that is simply fantastic and, in the EOS C500 Mark II, the modularity has reached a level that was unimaginable a few years ago. It seemed 8K full-frame raw came at a price. If you’re using cine lenses or heavier zoom lenses then definitely yes. Focus Guide. The staples that have made Canon Cinema series cameras a mainstay in documentary and indie filmmaking are still found in the C500 Mark 2. Years of innovation hit the market. One also gets five expansion ports with the EU-V2: Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), and a lens control port. The EOS C500 Mark II’s interchangeability now makes it possible to take any PL lens and pair it with Canon’s state-of-the-art sensor to meet the needs of any project. The EOS C500 Mark II boasts ground-breaking AF technology, using a CMOS sensor with a construction that combines the functions of both imaging and phase difference AF. The EOS C300 Mark III shares the same body and many features with the full-frame EOS C500 Mark II – at Canon Vision it is possible to examine 3D models and view high-resolution footage captured on each. EOS C500 Mark II Home Articles Articles Detail. Canon EOS C500 Mark II Specifications Page by ... Auto Focus Modes (EF Mount) One-Shot AF, Continuous AF and AF-Boosted MF. The Canon C500 Mark II Camera Primer is a brand new course by MZed, which offers a comprehensive overview of the C500 Mark II major functions, from unboxing to post-production. It’s an important question to ask, because if you are going to invest in a camera system you want to make sure that it can see you through years of use in all manner of filming scenarios. Press the CANCEL button to return the magnification frame to the center position. At default settings, turn the dial right to focus farther and left to focus nearer. I was surprised it didn’t cover 5K FF on the FX9 but I understand the 17-120mm covers that mode. The other big improvement over the C500 Mark II is not only the ability to shoot in higher frame rates but that you can take advantage of Canon’s DPAF when shooting at frame rates over 60p when using a compatible lens. Face Detection AF (EF Version Only) Face Priority or Face Only. Then, in 2014, Sony announced the FS7. Along with the new Canon C200, the C300 Mark II holds the crown for best continuous autofocus implementation available today. With a modular design and interchangeable lens mounts, it can be a shoulder mounted, ENG style camera one day and a compact gimbal camera the next. This design not only allows for more modularity within the C300 line but also means all accessories designed for the C500 Mark II will also work with the new C300 Mark III. Announced just weeks ago, the Canon C300 Mark III is Modular, 16 Stops of dynamic range, 4K Canon Raw Lite, with Dual Pixel CMOS Autofocus as an option up to 120fps. The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. Shoot 6K, 4K or 2K, all in full frame, plus up to 60fps in any resolution or 120fps in 2K. You can also use the joystick or SELECT dial to move the focus guide's frame. The following video presents Introducing the Canon EOS C500 Mark II: “Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full-frame cinema camera that’s built for creative freedom.The lightweight body comes equipped with Canon’s 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. Years of innovation hit the market. In addition, enhancing the basic performance from the existing model, the EOS C300 Mark III utilizes a modular design like the EOS C500 Mark II (released in December 2019). Canon introduced phase detection dual pixel auto focus (DPAF) in 2013, with the EOS 70D camera, calling the technology “revolutionary.”. With subjects or in situations where autofocus may not work well, the focus guide may not work correctly. The Canon C500 Mark II is an exciting platform for filmmakers that combines a full-frame sensor with Canon's color science and Dual-Pixel autofocus system in an ultra-compact form-factor. I took the lens to Sydney Taronga Zoo, Newport Beach, and Sydney Harbour. The Canon EOS C500 Mark II (B&H, Adorama) features a 5.9K full-frame sensor with 60p recording 5.9K and 4K (2K recording at 120p) and 15 stops of dynamic range. If necessary, use the joystick to move around the magnification frame and check other parts of the image. Yes, the Canon is alot more exciting, but for me, Sony still is a better option. Powered by Canon’s new Digic DV7 processor, the EOS C500 Mark II offers 5.9K internal Cinema RAW Light and 4K 4:2:2 10-bit XF-AVC recording. The camera was attached to a Russian Arm mounted on top of another Jaguar F-PACE to film the 'hero' car, as well as being mounted to a versatile Ronin 2 gimbal … When an optional RC-V100 Remote Controller is connected to the camera, you can adjust the focus with the remote controller's FOCUS dial. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. 2014 - Canon EOS C100 Mark II - HD recording, improved Auto Focus. Possibly the most versatile full frame camera on the market, the Canon C500 Mark II is the ideal broadcast, documentary and cinema camera, all in one. The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. The C500 Mark II and its 5.9K full-frame CMOS sensor offers the full-frame look at roughly a quarter of the price. Canon sells the following two adapters, both with shim kits: 1. B4 mou… Set the focus mode switch on the lens to MF. Just by specs alone, Canon has nailed it. 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