Sometime during the late 1950s, most probably before joining Miles Davis, Evans began using heroin.  Laurie Verchomin has claimed that Evans was clear in mind that he would die in a short time. In 1966, he met bassist Eddie Gómez, with whom he worked for 11 years.  He studied classical piano interpretation with Louis P. Kohnop, John Venettozzi, and Ronald Stetzel.  "All About Rosie" has been cited as one of the few convincing examples of composed polyphony in jazz. It's like death and transfiguration. According to Orrin Keepnews, the atmosphere during the recording sessions was tense, Evans and LaFaro having had an argument over extra-musical matters; in addition, Evans was complaining of headaches and LaFaro was playing with a loaned bass. He hosted a jazz program on the camp radio station and occasionally performed in Chicago clubs, where he met singer Lucy Reed, with whom he became friends and later recorded. The album took a year to make, and was successful enough to enable Russell to escape his penurious lifestyle. During his three-year (1951–54) stay in the Army, Evans played flute, piccolo, and piano in the Fifth U.S. Army Band at Fort Sheridan. Evans influenced the character Seb's wardrobe in the film La La Land. Both influences coalesced in Davis' conception of modal jazz offering an alternative to chord changes and major/minor key relationships, relying instead on a series of modal scales. , In September 1956, producer Orrin Keepnews was convinced to record the reluctant Evans by a demo tape Mundell Lowe played to him over the phone. More Buying Choices $9.33 (15 used & new offers) Kindle $19.95 $ 19.  Thus, Evans created a self-sufficient language for the left hand, a distinctive voicing, that allowed the transition from one chord to the next while hardly having to move the hand. LaFaro suggested Paul Motian, who had already appeared in some of Evans's first solo albums, as the drummer for the new band. , Evans remembered Leland with affection for not insisting on a heavy technical approach, with scales and arpeggios. ","facebookSharePicture":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2018\/07\/bill_evans_featured-New.jpg","twitterText":"Bill Evans - An Insight Into A Genius.  By the fall of 1959, Evans had started his own trio with Jimmy Garrison and Kenny Dennis, but it was short-lived.. He fulfilled his obligations because he needed money, but these were the few moments in his life when he felt comfortable — the times in between must have been depressing, and he barely showed a willingness to live. A greater emphasis was placed on group improvisation and interaction, and new harmonic experiments were attempted. Who doesn't love being #1? , Evans's heroin addiction increased following LaFaro's death. While Davis was not very satisfied with the performance, he said that from then on, Evans was the only one to play it in the way he wanted. In 1950, he performed Beethoven's Piano Concerto No. He took a sabbatical year and lived with his parents, where he set up a studio, acquired a grand piano and worked on his technique, believing he lacked the natural fluency of other musicians.  Evans's harmonic language was influenced by impressionist composers such as Claude Debussy and Maurice Ravel. In 1960, he performed on singer Frank Minion's album The Soft Land of Make Believe, featuring versions of some of the Kind of Blue tunes with lyrics, along with Paul Chambers and Jimmy Cobb. During this period, he met two of Reed's friends: manager Helen Keane, who became his agent seven years later, and George Russell, with whom he soon worked. , Bill Evans talking about Gretchen Magee. Though he recorded many albums for Verve, their artistic quality was uneven. He later named Mozart, Beethoven and Schubert as composers whose work he often played. , Evans grew up in North Plainfield, New Jersey, the son of Harry and Mary Evans (née Soroka). Why Did I Choose You?  In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award. This biography provides detailed information about his childhood, life, achievements, works & timeline. Bill Evans, who with his wife Jeannette, built a tiny farm into one of the largest fruit companies in Washington state, died early Tuesday. $3.99 shipping. With this technique, he created an effect of continuity in the central register of the piano. They quickly became lovers and very close.  Evans performed a notable solo in "Concerto for Billy the Kid". In 1963, after having switched from Riverside to the much more widely distributed Verve (for financial reasons related to his drug addiction), he recorded Conversations with Myself, an innovative album which featured overdubbing, layering up to three individual tracks of piano for each song. The 1970s also saw Evans collaborate with the singer Tony Bennett on 1975s The Tony Bennett/Bill Evans Album and 1977s Together Again. , In parallel with his trio work, Evans kept his work as a sideman. In 1968, drummer Marty Morell joined the trio and remained until 1975, when he retired to family life. His repertoire was also unusual. Russell wrote a suite for orchestra, "All About Rosie", that featured Evans, among other soloists. Other albums included The Tokyo Concert (1973); Since We Met (1974); and But Beautiful (1974; released in 1996), featuring the trio plus saxophonist Stan Getz in live performances from the Netherlands and Belgium.  Evans also penned the liner notes for Kind of Blue, comparing jazz improvisation to Japanese visual art. His shelves held works by Plato, Voltaire, Whitehead, Santayana, Freud, Margaret Mead, Sartre and Thomas Merton; and he had a special fondness for Thomas Hardy's work. Bill Evans was driving himself evermore towards death’s door due to his adult substance uses of hard liquor, heroin and lastly cocaine which was so easily accessible. At the beginning of his career, Evans used block chords heavily. Selbstverständlich ist jeder Elsa bill evans unmittelbar in unserem Partnershop erhältlich und direkt bestellbar. He had a brother, Harry (Harold), two years his senior, to whom he was very close. During this decade, jazz was swept into a corner, and most new talents had few opportunities to gain recognition, especially in America.  This all-originals album (4 new), also featured alternation between acoustic and electric piano. Evans has left his mark on such players as Chick Corea, Diana Krall, Ralph Towner, Herbie Hancock, John McLaughlin, John Taylor, Steve Kuhn, Vince Guaraldi, Don Friedman, Marian McPartland, Denny Zeitlin, Paul Bley, Bobo Stenson, Warren Bernhardt, Michel Petrucciani, Lenny Breau, Keith Jarrett, Vicente Inti Jones Alvarado, and Rick Wright of Pink Floyd, as well as many other musicians worldwide.
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